Visiting period: 28 February – 30 April 2025

Curator: dr. Beáta Bordás

Opening: The exhibition was opened on 28 February 2025 at 5.30 pm by dr. Beáta Bordás, director of the Transylvanian Art Centre, curator of the exhibition, and Tamás Lénárt art historian.

This exhibition presents more than forty unique graphic artworks, illustrating the most important stages of the career of the graphic artist, who died young, in the prime of his life. Besides early linocuts, the exhibition also includes important etchings from the late seventies (e.g. Everyday Miracle, Wanderer, Maecenas, Torso, Gravitation). In addition to the individual prints created using a variety of techniques, the exhibition also provides a rich illustration of one of the characteristic “secondary threads” of the graphic artist’s oeuvre, the ex libris. Furthermore, both complete graphic series, which are of outstanding value from the perspective of the history of Transylvanian Hungarian culture, will be exhibited: the series of etchings entitled Sixty Main Personalities, presented in 1981, and Notable Houses, presented in 1984.

Gusztáv CSEH (Cluj, 1934 – Cluj-Napoca, 1985)

Gusztáv Cseh, the internationally renowned master of modern Transylvanian Hungarian graphic art, was born in Cluj in 1934. From 1954 he studied at the Ion Andreescu College of Fine Arts in Cluj, graduating in graphic art in 1960. In 1962 he became a drawing teacher at the Art High School in Cluj.
His unparalleled drawing talent was already evident in his caricatures and book illustrations. However, his name was made famous by his first exhibition in Cluj in 1965, and from then on he was considered a leading figure in the Cluj school of graphic art. With his pen-and-ink drawings, he created an elegant, dramatic yet adventurously playful, sophisticated universe, bringing something radically new into Transylvanian art. His artworks have been exhibited in numerous national and international exhibitions and graphic art biennials. He illustrated more than 300 books. For decades, his graphic artworks, caricatures and illustrations were published in almost all Hungarian newspapers and magazines.

In his series of etchings entitled Sixty Main Personalities, he commemorates the great personalities of Transylvania (including John Hunyadi and Matthias Hunyadi, György Dózsa, Stephen Báthory, Stephen Bocskai, Gabriel Bethlen, George Rákóczi, Alexander Csoma de Kőrös, Farkas Bolyai and János Bolyai, Áron Gábor, Endre Ady, Béla Bartók, Károly Kós and Áron Tamási). He dedicated to his wife the Notable Houses, also including sixty etchings (from Cernatu de Jos, through Bistrița, Deva, Făgăraș, Alba Iulia, Cluj-Napoca, Văleni, to Hunedoara, Rimetea and Jibou).

The creation of etchings undermined his health, and after a long hospital treatment in Budapest he died in his hometown at the age of fifty.

Solo exhibitions:
• 1965, 1967: Cluj, Small Gallery • 1968: Satu Mare, Town Museum • 1971: Cluj, Igazság Club • 1972: Sibiu, Gallery of the Fine Artists’ Association (together with Cristian Carmen and Florian Alexandru Milan, artists from Cluj) • 1973: Bucharest, Petőfi Sándor House of Culture; Miercurea Ciuc, Small Gallery; Sfântu Gheorghe, Museum; Târgu Secuiesc, Museum • 1975: Cluj-Napoca, Korunk Gallery • 1976: Sfântu Gheorghe, Small Gallery • 1978: Cluj-Napoca, Small Gallery • 1980: Satu Mare, Fine Arts Gallery • 1983: Cluj-Napoca, exhibition hall of the a Fine Arts Fund • 1984: Satu Mare, New Gallery

Exhibitions of the series Sixty Main Personalities:
• 1981: Cluj-Napoca, Korunk Gallery; Târgu Secuiesc, Museum; Sfântu Gheorghe, Gallery of the County Museum; Odorheiu Secuiesc, House of Culture; Târgu Mureș, Studio of the Institute of Theatre • 1982: Szombathely, Dániel Berzsenyi County Library; Esztergom, Bálint Balassa Museum; Budapest, ELTE Club; Kecskemét, Ferenc Erdei County Cultural Centre • 1983: Tiszakécske, János Arany Cultural Centre; Győr, Sándor Petőfi Cultural Centre; Gödöllő, Local History Collection; Csorna, TIT Club • 1984: Veszprém, Károly Eötvös County Library; Szeged, Mini Gallery of the Youth House; Budapest, the Budaörsi Road College of the Eötvös Loránd University; Miskolc, Library of the Technical University of Heavy Industry • 1985: Eger, County Library

Exhibitions of the series Notable Houses:
• 1984: Cluj-Napoca, Korunk Gallery • 1985: Budapest, National Monuments Inspectorate; Szentendre, Pest County Cultural Centre and Library; Budapest, Eötvös College of the Eötvös Loránd University • 1986: Veszprém, Károly Eötvös County Library (posthumous)

Commemorative exhibitions:
• 1998: Bucharest, Hungarian Cultural Centre • 1999: Hajdúszoboszló, István Bocskai Museum • 2000: Cluj-Napoca, Korunk Gallery • 2002: Cluj-Napoca, Albert Györkös Mányi Memorial House • 2007: Sopron, Transylvanian House • 2008: Répcelak, Open Space Public Cultural Association and the Gallery of the House of Culture • 2013: Sfântu Gheorghe, House with Arcades

Permanent exhibitions:
• 1982: Cernat, Pál Haszmann Museum • 1989: Hajdúszoboszló, István Bocskai Museum • 2006: Cluj-Napoca, headquarters of the Cluj Society

Books:
• Hatvan Főember [Sixty Main Personalities]. Foreword and description of the pictures by: Gyula László. Európa Publishing House, Budapest, 1988. • Libellus pictus, azaz képekkel írott könyvecskéje Jeles Házaknak (...) [Libellus pictus, i.e. a book written with pictures of the Notable Houses...]. Explanatory notes by Péter Sas. Múzsák Publishing House, Budapest, 1988.• Hatvan Főember [Sixty Main Personalities]. Foreword and description of the pictures by: Gyula László. Kráter Studio Association, Budapest, 1993. • Jeles Házak [Notable Houses]. Foreword by György Sümegi, description of the pictures by Péter Sas and Zsombor Jékely. Kráter Studio Association, Budapest, 1993. • Cseh Gusztáv pátriája I–III. [Gusztáv Cseh’s Homeland I–III.] Foreword by Samu Benkő and description of the pictures by Antal K. Jakab and Lajos Kántor. Korunk Baráti Társaság–Komp-Press Publishing House, Cluj-Napoca, 2002.

Prizes:
• 1970: Romanian Labour Order of Merit • 1971: The Most Beautiful Book of the Year Award for the graphic design of the Forrás series of the Kriterion Publishing House, National Book Salon, Bucharest • 1972: The Most Beautiful Book of the Year Award for the design and illustration of the book „A helység kalapácsa” by Sándor Petőfi (Dacia Publishing House, Cluj, 1972), National Book Salon, Bucharest • 1973: Romanian Cultural Order of Merit, 1st Degree • 1974: Presidential Medal for the editorial activity of the weekly magazine „Dolgozó Nő” • 1981: 2nd prize at the Festival Cântarea României

Organizers: Sfântu Gheorghe City Hall, Transylvanian Art Centre Association
Partner: Liszt Institute – Sfântu Gheorghe
Sponsor: Hungarian Government – State Secretary for National Policy, Bethlen Gábor Fund

Visiting period: 28th of February – 30th of April 2025

Order of works: Péter Madaras | Co-curator: István Bába

Opening: The exhibition was opened on the 28th of February 2025 at 6 pm by Transylvanian Art Centre’s coordinator dr. Beáta Bordás and István Bába, painter and curator.

“This exhibition is not merely a succession of images; it is a comprehensive reflection that contrasts the alienating and devaluing nature of consumerism with the permanence and personal message of timeless artistic creation. In this richness of objects and symbolism, Sándor Juhos has found a voice that is simultaneously classical and contemporary, lyrical and critical.

At first glance, the artworks are extremely realistic: the play of light and shadow, the plasticity of the objects, the lifelike details are all reminiscent of the Baroque or Flemish masters. Yet the logic of the arrangements is often absurd. It is as if the still lifes were only twisting reality to the point of distancing it slightly, while still showing everything with pinpoint precision. (...) The artist’s hyperrealism is a painterly strategy that contrasts the seemingly sterile, flawless reality with absurdities such as floating or unusual pairings of objects. This is surrealism, but not the Dalí-esque visionariness: rather, it is a postmodern/metamodern dichotomy, where the images simultaneously play with realistic and imaginative elements. This kind of crossing of genre boundaries is a characteristic feature of the metamodern mindset.” (István Bába)

The exhibition material is accompanied by a trilingual catalogue with a foreword by István Bába.

Sándor JUHOS (Cluj-Napoca, 1974)

After an unconventional career in his youth, it was in 1999 when the time came for Sándor Juhos to realize his long-standing desire to earn a reputation in the field of fine arts. In that year he became a painting student at the University of Art and Design in Cluj-Napoca. He completed his bachelor’s degree in 2003, obtained the master’s degree in 2005 and defended his doctoral dissertation in 2010.

As a second-year university student, he was a founding member and then for eight years co-curator of the Bulgakov Gallery in Cluj-Napoca, where he curated an average of ten exhibitions a year. He began the “craft” of still life painting in 2008, the first six years of which he now counts as a period of study. In 2014, he achieved his own, mature style of still life painting, which he has consistently pursued in his own characteristic way ever since. Since then, he has participated in group and solo exhibitions with his works. In 2023, he was awarded a three-year Art Scholarship by the Hungarian Academy of Arts. He currently lives and works in his hometown, Cluj-Napoca.

The Cluj painter consciously chose the more difficult path when he immersed himself in still life painting. While a significant part of the contemporary art scene is now shaped by digital experiments, multimedia installations and conceptual art, he has stuck to classical painting techniques, because still life, with its time-consuming, brushstroke-by-brushstroke working method, requires a degree of concentration that is characteristic of few other genres. It was this careful, meticulous technique that made possible for him to perfect his painting technique to the last detail, drawing on the Flemish tradition, while also developing his own individual system of symbols. For him, still life is not simply a matter of genre or technique: it is rather an artistic stance in its own right, able to reinterpret the classical craft fundamentals in a way that reflects contemporary realities.

Solo exhibitions (characteristic of his present style): 2020: Lucid Dreams, Lugano, Switzerland • 2019: Abundance, Estopia Gallery, Bucharest • 2015: Fragile Equations, Nano Gallery, Brush Factory, Cluj-Napoca; Death of the Hummingbird, Bázis Contemporary Gallery, Brush Factory, Cluj-Napoca • 2014: Paintings and Butterflies, Kaja Tanya, Cluj-Napoca

Duo exhibitions: 2023: New Narratives (with graphic artist András Szabó), Art Museum of Cluj-Napoca • 2017: Act Anima (with András Szabó), Nano Gallery, Centrul de Interes, Cluj-Napoca

Organizers: Sfântu Gheorghe City Hall, Transylvanian Art Centre Association
Sponsor: Hungarian Government – State Secretary for National Policy, Bethlen Gábor Fund

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